It needs to be either 0 or 1.Īt the moment I've been able to solve this problem by limiting the amount of colors I use and only set "half-range" values per channel. To make it more problematic is the fact that I cannot use values as 0.112. And for it to work smoothly I need them to start at 0 and finish at their maximum in the same amount of time/steps. The problem I run into is that colors are defined by 3 channels Red, Green & Blue (0-255)Īnd depending on the targeted color it could mean that one channel has a value of 10 and the other of 230. So it sends out a sequence of 3 differently targeted value-ranges depending on the initial values and based on a speed multiplier. So check out the video below and speed up your workflow.I have a linux/bash script that sends multiple RGB color fades to multiple light.Įvery light can have it's own color but all colors should use the same amount of time to fade in/out. They just make things simpler and more accessible. These tips will improve your workflow in Logic. If you're thinking, "I've never used Ableton and don't have any interest in dong so" don't worry. This tip isn't shown in the video, but you can edit the default mouse behavior so that if you move your mouse to the top corner of a region, you can apply a fade. Believe it or not, most DAW's don't have a contextual mouse click.Ībleton Live 10 is very efficient with adding fades, selecting regions to move or edit.īy default in Logic X, to create fades you have to open your tool set and hit A on your keyboard or physically select the fade tool in the drop down list.
Ableton has a great workflow in terms of how you interact with regions and select sections of tracks to play. That being said, some DAW's handle certain tasks more efficiently than others.
I don't think there is one de facto DAW that can be crowned champion, it's too subjective. Asking a group of producers, mix engineers, or artists what DAW is the BEST will typically incite debates as heated and passionate as political discussions.
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